Solitary Confinement (Issue 9)

The official Forsaken Press Newsletter:

Issue 9: 14/01/2020

From the desk of the President and Editor in Chief, Mr. Cameron Walker.

Hello Ladies and Gentlemen and welcome to the first issue of Solitary Confinement for 2020. I hope everyone enjoyed the holiday season, whatever it is you did and whoever you spent it with. For us here at Forsaken Press it doesn’t feel like it was much of a holiday as we’ve been extremely busy running the company and getting all of our exciting new releases out on time. But let’s get stuck into the news, announcements and the latest on the recent Forsaken Press developments shall we?

The first announcement I have to make is that from now on Solitary Confinement will be a fortnightly newsletter, making it less regular, but still as informative and insightful as well. The decision for this is a relatively simple one. For the first several months there was an awful lot going on with news and developments occurring on an almost daily basis, hence it was necessary to keep you all up to date with regular newsletters detailing what was going on. Now however, we have settled into a more normal routine and things while still productive, aren’t nearly as chaotic as they were, thank the gods for that. So now its no longer necessary to keep you all informed with weekly newsletters as a fortnightly format is enough to keep our news and announcements current, now everything has been established and we find ourselves with a much more normal schedule.

Secondly all three of our scheduled Forsaken Press releases are now out and available in Ebook format on Amazon, Smashwords, Gardner, Kobo, Scribd and Apple Books. The paperback edition of Devil’s Eye is now available exclusively on Amazon (for now) and the other two are coming in the near future. It was a long and arduous process, but we finally got there in the end. There have been some issues with the review process seeking approval for the manuscripts on Amazon, which despite being all cleared by the upload process are still being rejected upon review, frustratingly without an explanation. So until that issue is solved they will be available only in Ebook format, but we hope to have that issue resolved very soon.

We are currently working on some upgrades to our Instagram, just to add a little bit more flare to the page and make it a bit more informative. Work has begun on designing our Blogger Blog that should be completed in the next week or so. We’re pretty excited about this particular development, as it has been one of our goals for sometime now. In addition to this you can now find Forsaken Press releases available on Lulu, as we expand our distribution network to include their platform. Both Ken Dixon’s The Roots of Marvis Jedd and Through the Gates of the Silver Key: The Best Collaborations and Ghost Writings of H.P. Lovecraft are currently available through Lulu, with Devil’s Eye coming in the near future.

A few scheduling conflicts and minor issues have led to us having to shuffle around our release dates a little bit, but rest assured we have plenty of exciting new releases in store for you in the future. Our next release will be coming out at the end of February, a little bit later than we had initially planned, but still keeping with our manifesto of one release a month, so we’re safe, for now at least.

Don’t forget to check out our release catalogue right here on the blog, along with our official reviews conducted by our Social Media Manager Jenna in her own Jenna’s Side review page. There’s also our official Twitter, Instagram, Tumblr, DeviantArt and Facebook page to check out across the web of our social media network. That’s all from me for this edition of Solitary Confinement. I’ll see you next fortnight when I have some official details to be unveiled in regards to our next release and hopefully good news as to the progress of our paperback releases and the launch of our Blogger Blog.

Thank you and kind regards,

Cameron Walker,
President and Editor in Chief,
Forsaken Press.

Jenna’s Side: Devil’s Eye (Review)

Hi, it’s Jenna again with the latest edition of Jenna’s Side from frozen up Saskatchewan, Canada. With the temperature hitting minus 40 here this month (Before you ask, is that Celsius or Fahrenheit? Yes.) it’s the perfect time for me to curl up with a great book. So I did.

I have read voraciously for as long as I can remember, and was never really interested in picture books, except Robert Munsch because I’m a good Canadian and Mr. Men/Little Miss because of course.  Oh and The Cat Who Wore A Pot On Her Head. If anyone feels so inclined to get me a copy of that, I won’t refuse.  Ha ha I digress. I tell you this to explain why the sight of a 5 year old reading a chapter book was commonplace in my home, and why I read Treasure Island for the first time at that age.  Right around the same time I discovered Grimm fairy tales, but a couple years after I developed my life-long crush on Batman.  Yes, I was a weird child.  Now I’m a weird adult. This is fine.

So I’ll be brutally honest. A book about pirates? My first thought was, what am I, five again? I have never been so happy to be proven wrong.

Cameron Walker has clearly written Devil’s Eye as a labour of love, as his deep appreciation and enthusiasm for the subject matter shine through in every scene. He spent a decade writing and editing Devil’s Eye and it was a decade well spent. If I had to sum it all up in one sentence I would say its like Pirates of the Caribbean, but without the romanticism and Disney magic, much more raw and visceral.

The world of Devil’s Eye is well-researched and carefully crafted to be close enough to reality to be believable, but far enough away to be an escape that lets you forget you are reading and immerse yourself in it.  In many scenes, especially the battle scenes, it plays out like an action movie, which you watch between your fingers because you can’t decide whether or not you want to see what happens next. (Content note: there is a lot of blood and gore.  It’s not gratuitous; it all feels necessary. But if you’re more squeamish, you will struggle to get through.)

Ultimately, you’ll decide that you want to see and that’s because Cameron has put in just enough suspense to keep you hanging on. Every time you want to look away, you’re pulled back in. More than a few times, I had to put the book down–no, that did NOT just happen.  I don’t even want to know.  Oh who am I kidding, yes I do.

The characters are the real strength of Devil’s Eye. They make its world come alive and keep it from being the 5-year-old story I feared. They are all relatable in unexpected ways–I found myself just a little bit in love with the Devil’s Eye’s motley crew of antiheroes, especially Crimson Jack, and hoping despite myself through each twist and turn that things would work out for them. 

Crimson Jack has the charisma of his namesake from Pirates of the Caribbean, alongside the blood-and-power lust and wits of the likes of Ching Shih. Seriously, if you haven’t heard of her, Google her now. I’ll wait.

Was I right, or was I right? And that’s just one. The entire crew have the kind of stories that don’t quite make me want to join them at sea, but maybe meet up at a pub or something. Of course that would most likely lead to them drinking me under the table and dragging me off, because pirates, but that’s another story.

I love the complex moral code of the pirates as well. They could easily be out for blood, money, power, and booze, not necessarily in that order. And they absolutely are, otherwise what a boring story this would be. But they are also trying to support their families in a system that leaves them few other viable options.

I highly recommend Devil’s Eye as the kind of book you may not be able to read in a single sitting, but you’ll want to.

Rating: 5/5 Stars.

Devil’s Eye

Devil’s Eye is a thrilling, action packed tale of swashbuckling adventure on the high seas, featuring excessive amounts pillage, plunder and PIRATES!!!

After the crew of the Devil’s Eye stage a successful mutiny they find themselves in possession of a very valuable hostage who could could alter their fate forever. With the chance of becoming rich or dead men, the stakes have never been higher.

Captain Blood is the infamous captain of the pirate galleon Devil’s Eye, but his long and illustrious career is about to come to a swift and bloody end at the hands of Crimson Jack and his henchmen. Having disposed of the old captain and his officers and placing themselves in command of the ship the pirates must bring their crew a worthy prize that will cement their positions.

Upon capturing a French ship in the Caribbean, they take a valuable hostage who will bring them a fortune in gold, if they can return them to France. Standing in their way is a flotilla of Spanish warships, a huge English galleon, French forces and other pirates out to claim the hostage and the ransom for their own. With little chance of success, the pirates embark upon the voyage of a lifetime with all guns blazing.

But a gathering storm looms over their heads in the form of the threat of yet another mutiny being staged by loyalists to Captain Blood and new additions to the crew loyal to another captain. Multiple parties on the ship have their own motives for wanting control of the ship and possession of their hostage, but the tense political situation on the ship threatens not only the success of the voyage itself, but their very lives.

Can Crimson Jack and his men maintain control of the ship long enough to complete this most perilous of quests, collect the ransom and cement their positions as commanders of the Devil’s Eye? Or will the risk of mutiny, competition from other pirates and being hunted by the naval powers of several nations prove to be too much and send them all to their watery graves?

You can find Devil’s Eye available on Amazon, Smashwords, Apple Books, Scribd, Lulu and Kobo.

https://www.smashwords.com/books/view/986119

https://www.amazon.com/Devils-Eye-Cameron-Walker/dp/1708437932/

Through the Gates of the Silver Key: The Best Collaborations and Ghost Writings of H.P. Lovecraft (Review)

Hi guys, It’s me, Forsaken Press Social Media Manager and Official Reviewer Jenna. Welcome to the second edition of Jenna’s Side, where I give my honest reviews of all the latest Forsaken Press releases. For round two I had the treat, and terror, of reviewing Through the Gates of the Silver Key: The Best Collaborations and Ghost Writings of H.P. Lovecraft. I must admit that prior to reading this collection I wasn’t too familiar with Mr. Lovecraft’s work, having only read a handful of his stories before and knowing him mostly by reputation. So this was a fun, interesting, exciting and certainly anxiety/fear invoking experience.

Preparing this anthology for release was truly a battle against the Old Ones, with the file now holding bits and pieces of the sanity of our editor in chief and our formatting staff.  Possibly some of the sanity of this reviewer too, but I leave that to you to decide.  It was definitely all worth it to share some of the most underrated works of one the most influential horror writers of all time. 

Just in case you thought you knew everything Lovecraft had to offer, Cameron Walker painstakingly chose some of the more obscure Lovecraft writings, poring through the ghost-writings and collaborations.  Then he combined them to take the reader on a journey through the fantastical horrific visions Lovecraft is known best for, with some more traditional horror-magick sprinkled throughout.   Anthologies can often read like textbooks with dull introductions, but Walker uses his introductions to add humour, insight, and controversy, keeping it from being a dry academic book.

I decided to review each story individually and then give an overall score at the end of the review to sum things up. So let’s get to it shall we?

Under the Pyramids

Under the Pyramids is a fascinating tale of horrific visions.  As Walker writes in his introduction, Lovecraft lost his original draft and had to spend his wedding night hurriedly rewriting the commission with help from his wife.  It reads, therefore, with a breathless energy which serves it well, making it almost seem as though Houdini, the ostentatious narrator, were telling the story aloud from memory.

Rating: 4/5

The Curse of Yig

Let me preface this:  I can handle a lot of stuff in books.  I’ve only stopped reading one book due to the imagery and that was The Partner by John Grisham because of its great attention to detail in its description of exactly what would happen when someone was tortured with electrical current.  It’s not pretty.  The Curse of Yig is wonderfully disturbing in a similar way.   So I finished it, but then I was done with reading for a while.  As well, I’m usually pretty good at figuring out what is about to happen, but this had two twists I didn’t see coming…

Rating:  Shudder.  5/5

The Mound

Walker’s introduction describing The Mound as being akin to writing by Jules Verne got me hooked, as I have loved Jules Verne since  A Journey to the Centre of the Earth was my favourite book when I was 8.  I was not disappointed, as this turned out to be my favourite story in the anthology.  I definitely saw the parallels with Verne in Lovecraft’s descriptions of the world below as beautiful and terrible all at once.

Rating:  Can I cheat and give this one 6/5?  I really do love it so.

The Man of Stone

The Man of Stone is an easy, entertaining read, which reminded me of some of Neil Gaiman’s darker short stories, one of the best compliments I can give.  It doesn’t contain any of the fantastical imagery of the previous three stories, but it doesn’t need it—it is, instead, a tale of humanity’s inhumanity toward humanity, with just a little magick.  It’s just disturbing enough to keep your attention even though it feels like you know what’s happening next.  Plot twist, you don’t.  Or at least not in the way you think you do.

Rating:  5/5

The Horror in the Museum

Remember how I said I can handle lots in books?  The Horror in the Museum was where I went “Nope.”  Here, Lovecraft has perfected his eldritch horrors, removing much of the sense of the fantastical, almost beautiful, which is found in the works that precede this in the anthology, leaving a simple terror.  As Walker describes, this is a story of revenge for wounded pride.  It feels as though it would not be out of place on an incel forum—they don’t love me, accept me, understand me, give me what I want; I’ll show them and they’ll all be sorry —which adds to the terror for these female eyes.

Rating:  5/5

Winged Death

Usually I’m pretty eloquent.  Not about this.  About this:  GAH.  I haven’t even decided if that’s good or bad.  Winged Death has no fantastical creatures, no beautiful madness.  A simple housefly.  Or is it?

Rating:  Is GAH a rating?  No? Then I reluctantly give it 5/5 for getting itself stuck in the same part of my brain as cicadas and huntsman spiders. Twitch.

Through the Gates of the Silver Key

The Silver Key, to which this story is a sequel, speaks in depth of the shortcomings of the popular interpretation of post-modern existentialism:  if nothing is real and nothing truly exists, then there is no reason or meaning to anything.  In Through the Gates of the Silver Key, a solution is posited, which Lovecraft both relished and feared:  to escape into fantasy.  More than in any other story, here the fantasy dream world Lovecraft inhabits so often is understood as both joy and horror, almost as though he has forgotten it is a world of his own making.  No one gets out unchanged, and Lovecraft is no exception.  This realization is terrifying to him, and he shares this deep fear with us who read, including a scene which, for me, perfectly describes the awful sense of a night terror.

Rating: 4.5/5  I actually found myself drifting off reading this, because the scenery was oddly comforting.

Out of the Aeons

I love a good twist.  If I couldn’t see it coming, bring it on.  Out of the Aeons kept me guessing, second guessing, hoping I was wrong, then wishing I had been right because I was wrong and the reality was worse than my guess.  Rinse and repeat, up until the end.

Rating:  4/5

Till A’the Seas

While I sincerely hope that this is not a view of an inevitable future, I read this story as the nightly news presents me with stories of an apocalyptic hell on earth in Australia.  Our mythical frog is quickly turning into soup, and this story from Lovecraft eerily describes the nature of environmental degradation we are now seeing, and the apocalypse it is leading to unless things change.  Strangely, Lovecraft apparently in all of his most horrible visions could not imagine humanity doing this to ourselves, instead blaming the changes on the sun growing toward supernova.  Yet again, truth is stranger than fiction.

Rating: 4/5

The Disinterment

I wonder what it would have been like to experience this story for the first time from Lovecraft’s pen.  Although I wouldn’t call The Disinterment a warm fuzzy read, it is now a familiar tale, having inspired so many similar ones.  As such, you know what is coming and though it is still horror, it is almost comfortable.

Rating: 4/5

The Night Ocean

A story where nothing happens and yet everything does!  Oh be still my absurdist heart. Wait, not that still.

Rating:  I expected to love this from Walker’s brilliant introduction, but unfortunately I found myself…bored. 3/5 but with the caveat it was probably just as much me as it was the story.

The Diary of Alonzo Typer

Perhaps due to his attempts to keep to the style of his collaborator, this is unmistakably Lovecraft, but significantly faster paced than the other stories, save the panicked frenetic energy of Under the Pyramids.  Although it is another story of meeting the old ones and their terrible gods, this one differs as it focuses on the fascination and dread Alonzo feels before he descends rather than on the journey or the destination.

Rating: 4/5

In the Walls of Eryx

As Walker writes, this is the least Lovecraftian story in the collection—were it not for his signature use of strings of adjectives, it could pass as having been written by any sci-fi author.  Lovecraft leaves you to figure out what is happening along with the protagonist, only one step ahead, keeping you holding on to faint hope for him—if you could figure it out, so can he.

Rating: 4/5

Bothon

In his introduction, Walker introduces the controversy of just how much input Lovecraft had into this story before his death.  If nothing else, Bothon is set in Lovecraft’s world and informed by his fantastical horrible beautiful madness.  However, the hand of Whitehead, the collaborator, is evident in that the characters are not the least bit afraid of this other world and face it head-on.

Rating:  4/5

Overall I give this anthology a 5/5. I loved it. XD

Glorious Son (sample)

This piece is the beginning of the novel Glorious Son currently in development by Forsaken Press author and Social Media Manager Jenna. It is being included in this section to help showcase the variety of talent and diverse writing styles that Forsaken Press and its wonderful team of writers have to offer:

Samael woke up Monday morning like every other morning.  That is, the alarm went off, he took a moment to bemoan his existence where nothing exciting or interesting ever happened, and he wandered off to make coffee to ease his pounding headache.  He wasn’t sure why he still set an alarm–it wasn’t like he had anywhere to be, after all.  Since he lost his job a few months ago, the best he could hope for was a few hours trolling job boards for an opportunity that never seemed to come, followed by a few hours of writing things he was sure no one would ever want to buy.  Sure, he could freelance enough to pay most of the bills, usually–an article here and there, after sifting through all those who wanted to pay in exposure, or worse to have you pay for the opportunity to do their work for them. But he really wanted to write something that would change the world, and clickbait was getting old fast.  Still, he tried to keep some hope alive.  He’d feed the cat,  and turn on a podcast for some background company, as he loaded up yet another webpage filled with more of the same, and waited until a respectable hour to open a mickey.  He may have been a drunk, but dammit he was a high-functioning one.  At least that’s what he kept telling himself.

When he saw it, he gasped.   There on the screen was an opportunity that seemed to be made exactly for him:

Wanted: Someone to collaborate on an epic fantasy novel with the broad themes of chaos and change.  Research and travel will be required.  We expect this to be your full-time job and will pay you accordingly.   Contact Ms. Tuesday by email with a cover letter, resume, and sample of your work.

Too good to be true?  Obviously.  Nobody just posts out of the blue looking for someone to write a novel.  If they want it written badly enough, they write it themselves.  But really, what did he have to lose?  He clicked apply now and got to work, expecting that any second the whole thing was going to explode in a fiery ball visible from space.  That was his luck, after all.  When he was born, his parents misspelled Samuel, leaving him with an unpronounceable mess.  Then things got worse.

No time to think about that now. In spite of himself, he actually felt good as he hit the submit button and nothing went sideways.  He got a response almost immediately, which he shook off as a form letter at first, but decided to open it just in case.  He was glad he did, as he read:

Samael:
We have been expecting you.  To ensure that you are up to our task, meet us tomorrow morning, 9:00, at 616 Northern Boulevard.  We look forward to working with you.
Ms. Tuesday and associates

“Okay that’s odd,” he thought.  But, with the misguided courage of someone with nothing to lose and everything to gain, he opened up his phone calendar, only to find the interview was already entered into it.  Hey, that was easy!  He talked to the cat, who was sitting in his lap, because he was just a little bit silly that way:

“Miss Princess Fuzzlebottom Squeakface!  What is your Daddy going to do?  Is your Daddy going to get a job?  Yes he is!  Yes he is!  Who’s a pretty kitty? Who’s my little Princess?  Is it you?  I think it’s you!”

Princess Fuzzlebottom Squeakface, who answered to Princess as much as any cat answered to anything, purred and pretended to understand the happy noises coming from her servant’s face.  As long as he kept the food coming, the bed stayed warm, and he occasionally scratched between her ears, she was willing to put up with him doing strange things like this.

That night, he set his alarm a little earlier, let Princess snuggle up to him, and dreamed of strange beautiful creatures he had never seen before.  He woke up not sure if that was strange or not, as he usually didn’t remember his dreams.  These stuck with him, though, as they were both dark and colourful at the same time, some with wings, some with horns, some with both.  The strangest appeared to be created from black flames.  Anyway, he felt a sense of purpose as, instead of walking over to his computer, he got dressed and made his way out the door.

A gorgeous woman in a long flowing black dress greeted him and said she was Ms. Tuesday. He thought she was overdressed for a simple interview, but pushed it out of his mind.  Artsy people were always a little strange, so who was he to judge?  Had he looked up at the walls, he would have seen the creatures from his dreams the night before.  But he was too nervous to look anywhere but the floor.  He followed Ms. Tuesday into an office where a well-dressed man already sat silently staring at him. 

“This is my co-president, Mr. Lysmith.  We are so glad you have come to us.  Are you ready to start now?”

Samael wasn’t sure how to respond–he hadn’t even been asked any questions and they wanted him to start?  What kind of interview was this?  To his surprise, he heard, “Yes, what would you have me do?” emerge from his lips.  He didn’t talk like that!  He shrugged it off as the stress of being interviewed.

Samael was an intelligent man, and had he actually been paying attention, he would have seen parallels between the story he was to write of an everyman unknowingly contracted by forces of chaos to bring about a revolution and stave off–or was that bring about?–the end of days, and his current situation.  As it was, he was trying too hard to keep from sweating through his clothes to fully comprehend what he was hearing.  It didn’t even dawn on him when he was told that his first duty was to dive headfirst into researching chaos history in order to make the book more realistic.  He just nodded as Ms. Tuesday handed him a thick black tome with golden runes on the cover.  But he did hear one thing: Don’t look up too much information about this book before you read it.  Take it as it actually is, not stories about it.  Weird, but okay.  Everybody’s got their quirks.  This sounded like an order and it was easy enough to do.

The Book of Chaos described a world which was a lot like ours, only instead of being controlled and orchestrated by an overall lean toward order, it was controlled by chaos in all things. 

Our world did lean toward order, didn’t it?  Samael wasn’t sure he believed in much, but he believed in that.  Whatever started the universe off started it off on some kind of trajectory–things didn’t just happen.  Everything had a place and everything wrong with the universe was just stuff in the wrong place.  Somehow everything would end up in the right place and everything would be great.  All you had to do was keep your head down and do what you’re supposed to do, stay in your place.

Had Samael disobeyed the order and researched the book, he would have learned that its author began with the same kind of viewpoint he had, but over the course of researching beliefs about chaos came to embrace them, especially that there is a thread of chaos through everything and the best we can do is keep this chaos from being harmful.  The society the author lived in labeled him as insane for this view, and he lived out the rest of his days as a hermit.  Samael might not have kept reading had he known that. He liked his nice, simple worldview: black and white, right and wrong, no grey areas to confuse him.  But he didn’t know, so read he did.

A week later, Samael’s eyes were buggy, but he had finished the book.  He felt like he had been made privy to some kind of forbidden knowledge, although he didn’t understand what exactly it was or what any of it meant.  All he knew was that somehow something was changed. Well, that wasn’t entirely true.  He also knew he never wanted to read a book like that again.  But if you had asked him why, he wouldn’t have been able to tell you.  It was just unsettling. In any case, Ms. Tuesday wanted him to return to the office to discuss what he read and what to do next.  He could do that.

He didn’t expect the warm welcome he got–the stern faces that had glared back at him last week grinned huge toothy grins and he half expected them to hug him.  His back stiffened in preparation–he felt hugs were far too intimate to share between practical strangers, but if you said no, you were a social pariah.  To his great relief, they noticed his discomfort and dropped the hug idea, settling for handshakes instead.

“We are very pleased.  We have chosen the right person for our mission.  We have promised to pay you, and we hope this is sufficient,” said Ms. Tuesday, handing him an envelope.  He opened it and found $1000. 

“There must be some kind of mistake!  All I did was read a book!” Samael protested.

“You have done research and prepared for our mission.  There is no mistake.  Now you will begin to write.  Should you require assistance, Mr. Lysmith acts as my eyes and ears on the ground and has been instructed to provide you with anything you may need.  Next week, we expect a basic plot idea and at least one chapter.”

Samael suddenly realized he didn’t know how to contact anyone who was supposed to help him.  He asked and was told not to worry; they would know, and they would be there.  Ms. Tuesday’s demeanour made it perfectly clear the case was closed and there was to be no more discussion on this matter.

With more questions than answers, Samael went home to begin writing.  After all, an outline and a chapter in a week was a difficult task, especially when the majority of his writing to this point was fan fiction and clickbait articles. Even though he still wasn’t exactly sure what he was supposed to be writing, he found that the words came easily, almost as though they were being given to him by some unseen force.  He had a strange compulsion to keep writing and not to read what he had written.  He guessed that this was what other writers called inspiration, so he kept going.

A week later, there he was in Ms. Tuesday’s office being warmly praised.  Samael was still uncomfortable and couldn’t look either of them in the eye, but he could tell you every detail of the office floor:  37 black tiles, 37 grey ones, white grout that was a little too white, with white spirals that meandered along in no particular pattern, and the whole thing was altogether too shiny.  He still hadn’t noticed the art on the walls, which was probably a good thing.  He didn’t consciously remember the dream from a couple weeks ago, but it was tucked away in his subconscious, and seeing them would have brought it back to mind.

“But I didn’t even proofread!  I don’t even know what I wrote!” protested Samael.

Ms. Tuesday smiled.  “So much the better.  Remember, you work for us now.  We know what you are writing and that is what matters.” With that, she handed him another envelope and shooed him out the door.

$2000.  Not bad for a week’s work.  A guy could get used to this.  But now what?

With no idea what he was supposed to do next, and everything he had written previously apparently wiped from his hard-drive during the meeting, Samael decided to return to some semblance of his old routine. Alarm. Ugh.  Feed the cat.  Coffee.  Podcast.  Write.  Consider getting smashed.  But there were changes.  Now, someone was paying him, even if the amounts didn’t seem to have much connection to the work he did, or to any kind of logic, really. Some weeks he got $500, others $5000. The words flowed effortlessly most of the time.  He began to notice that whenever they didn’t, a raven would come up to his window.   Even though it was silly, he liked to think he was having a conversation with the bird about what he was writing.  In any case, after the raven left, he was able to write more.

He had less time to drink now, and found himself missing the bottle as though he had lost touch with his best friend.  He didn’t miss the blackouts, though.   Although he was certain he had never harmed anyone–could never harm anyone–waking up not knowing what had happened the night before scared him, and it happened more often than he cared to admit.

The days turned to weeks, and he could swear the raven was following him around now.  That was crazy, of course, but he couldn’t shake it.  Other strange things were happening too.  Like the day he went to the liquor store, only it wasn’t there.  Or the way people seemed to treat him with a new fear-tinged respect, like there was some kind of dark aura around him.  If he believed in those kinds of things, that’s what he would think.  But of course, he didn’t. 

Keep your head down, Samael.  Stay in your place.  You’re just working too hard.  Take a break.  You’re being oversensitive.  You got distracted and drove too far.  There are birds everywhere.   You need a drink.  He kept telling himself that even though it sure felt like the world was cracking and breaking around him, those kinds of things didn’t actually happen.  Of course, they didn’t.  A place for everything. And nothing in its place.

Through the Gates of the Silver Key: The Best Collaborations and Ghost Writings of H.P. Lovecraft

Depending upon whom you ask, the collaborations and ghost writings of H.P. Lovecraft are either an underappreciated gem in the literary canon of American horror fiction, or an interesting, yet ultimately forgettable collection when compared to the main body of Lovecraft’s work. It is in this editor’s humble opinion that this body of work, while less known and not as appreciated as Lovecraft’s main canon, stands on its own, not as a lesser alternative or dismissive sub-body, but as a strong and equally as rich compendium that acts as an extension of the Lovecraftian world that is so revered.

The Call of Cthulhu, The Dunwich Horror, The Shadow over Innsmouth, At the Mountains of Madness, all have their counterparts in Lovecraft’s secondary body of material with Under the Pyramids, Bothon, Through the Gates of the Silver Key, The Horror in the Museum and The Mound all standing strong on their own against anything from Lovecraft’s primary material. But I would like to present the question, should comparisons be made? Do they even need to be made to begin with?

Lovecraft compilations abound in print and Ebook formats and it seems not a year can pass without a slew of them being published by publishers here, there and everywhere. What sets this compilation apart from the rest? To begin with the vast majority of them tend to focus on Lovecraft’s main body of work with ambitious publishers hoping to make a quick buck by cashing in on the more popular and well-known works in the Lovecraft canon. Often lovingly crafted with high quality paper and hardcovers, elaborately packaged in their presentation, they all ultimately amount to much the same thing. Since Lovecraft’s work now resides in the public domain, anyone with the will to do so can release a compilation of his works and draw an income from it.

This compilation focuses on his lesser known and far more scarce collaborations and ghost-written work, of which collections of are relatively few and far between, with a best of collection such as this being virtually non-existent. Wanting to increase exposure to Lovecraft’s secondary body of work that often goes overlooked and underappreciated I decided to compile this compilation of the best of his collaborations and ghost written work as a loving tribute to the material.

So with a will and a way, and a fledging publishing house to promote and provide material for, I took it upon myself to compile just such a collection and spent many hours researching the stories behind the content for facts, trivia and details to include that would add to the majesty of this overlooked and underappreciated body of work. Not content to just engage in my own hubris I dedicated hours of additional research to ensure a “best of” collection included just that, the best of Lovecraft’s secondary works. Research was conducted online to validate the popularity, reputation, ranking and significance of the works included to ensure they were indeed worthy of inclusion into this anthology.

Howard Phillips Lovecraft is incontestably a pioneer and master of modern horror. His work has inspired generations of writers for the past eighty years, and has a lasting cultural influence upon western civilisation. His unique narrative style, voice and universe combining elements of horror, science fiction and fantasy allowed him to create a vibrant and complex mythos that has stood the test of time well beyond his death, and has only increased in popularity and relevance. Known primarily for his main body of work, Lovecraft none the less compiled a significant number of collaborations and ghost writings for other writers in a lesser known body of work that often goes overlooked and underappreciated. The purpose of this anthology is to compile the best of these works into one cohesive volume that is a tribute and testimony to their brilliance.

Featured within this volume are the stories:

Under the Pyramids
The Curse of Yig
The Mound
The Man of Stone
The Horror in the Museum
Winged Death
Through the Gates of the Silver Key
Out of the Aeons
Till Aèthe Seas
The Disinterment
The Night Ocean
The Diary of Alonzo Typer
In the Walls of Eryx
Bothon

Forsaken Press Marketing and Distribution Network

Forsaken Press seeks to embrace and take full advantage of Social Media as a means of marketing and promoting our company, releases and writers to a large, global audience. Our current marketing network of Social Media outlets includes Facebook, Twitter, Instagram, Tumblr, DeviantArt and our official blog on WordPress.

Forsaken Press has established a wide arching network of distributors, making our releases available through many different avenues in a diverse array of marketplaces. Believe it or not, but our distribution network is three times the size of Amazons. By focusing our efforts on large distributor networks we have established one of our own that is far reaching and includes multiple platforms, including: Amazon, Smashwords, IngramSpark, Lulu, Kobo, Apple Books, OverDrive, Baker and Taylor, Scribd, Tolino, Gardners and Bibliotheca CloudLibrary.

We also have a presence in the online and physical bookstores of major and independent retailers such as Barnes and Noble, Angus and Robertson, Walmart and Collins. As well as other local retailers in a number of countries, such as Ireland, Great Britain, France, Spain, Canada, Brazil, Italy, The Netherlands, New Zealand, Japan, Australia, The Philippines, South Africa, Turkey, India, Germany, Russia, South Korea, Poland, The United States of America and Mexico with a combined total of 51 countries in our distribution network. This equates to a combined total of access to 25,000 libraries where our ebooks can be accessed and purchased, 14,000 stores where our paperbacks can be ordered by either customers or stocked by the stores themselves, and 70 online retailers.

Our marketing network plans for the future currently include podcast and Youtube channels, an official website and blogger blog. We are also aiming to increase our distribution network by having online stores on our official website, blogs and Facebook page, and further expanding both marketing and distribution networks by utilising mediums such as Shopify that feature combination blogs and online stores.

Solitary Confinement (Issue 8)

The official weekly Forsaken Press Newsletter:

Issue 8: 21/12/2019

From the desk of the President and Editor in Chief, Mr. Cameron Walker.

Hello everyone, its that time of the week once again and I am here with some exciting news and big announcements to make as usual. So strap yourselves in and lets get started. To begin with I would like to take the opportunity to announce an exciting new addition to our blog, Jenna’s Side, the official Forsaken Press reviews page, ran by our lovely Social Media Manager Jenna.

In it she will be conducting open and honest reviews of all Forsaken Press releases to add some insight to the products we release to help potential customers decide whether or not its for them. This week marks the launch of Jenna’s Side (the name aptly given because its her side of the story, and her own little corner of the blog) with her review of The Roots of Marvis Jedd. Each month she will be doing another review of our latest release and giving her honest opinion on it.

It’s that time of year again with the holidays upon us and what better way to celebrate the end of the year than with Christmas Cthulhu? That’s right, Forsaken Press’s newest release “Through the Gates of the Silver Key: The Best Collaborations and Ghost Writings of H.P. Lovecraft” is due out just in time for Christmas with a December 23rd release date. This project is a personal passion of mine as a huge fan of Lovecraft who has been a major influence on my own work. So it is something I have been very excited to work on as a labour of love for the craft. 😉 ….So much so that I decided to make the cover the featured image for this issue of the newsletter and will be doing so with future upcoming releases as well.

The new year will see the launch of our new blog on Blogger to work in conjunction with our wordpress blog to ensure we make the most of the opportunities presented to us by the online blogging community. Although it will feature a lot of the same content as the wordpress blog we have plans to mix things up a bit to give both blogs their own unique feel with some fresh and original content, so they are not just a carbon copy of each other.

In conjunction with this we will also be revamping our Instagram a bit and adding some new content to the Facebook page with easy to locate catalogs for you to view all of our wonderful releases. Don’t forget we also have the re-release of Devil’s Eye coming on December 30th, along with the release of the print edition, just in time for New Years.

Well that’s all from me for this week, the last announcement I have to make is this is the last issue of Solitary Confinement for the year. The newsletter is being put on hold until the January 7th edition, as we scale down our operations over the holiday period to focus on getting the two releases we have coming up in just over a week ready and out by their release dates.

I would like to wish everyone a Merry Christmas, Happy Holidays and a Happy New Year. It’s been a great ride this past couple of months and we at Forsaken Press have a lot more to come in the new year with four releases scheduled in for the first few months of the year and a lot of big plans for the company to come over the next 12 months. Thanks to everyone who has supported us thus far, we hope you will continue to support us in 2020. We are all very excited and looking forward to what 2020 has in store for Forsaken Press.

With sincerest thanks and best wishes,

Cameron Walker,
Editor in Chief,
Forsaken Press.






Jenna’s Side: The Roots of Marvis Jedd (Review)

Hello, my name is Jenna, welcome to Jenna’s Side, the Official Forsaken Press reviews page.  I’m 33 and I’m the Social Media Manager for Forsaken Press.  I live in a small town in Saskatchewan, Canada, and I’m slowly but surely working on my first novel.  I like books more than most people, and I also like books more than most people.  Ba dum tish.  So when Cam asked me to write regular reviews for the Forsaken Press blog, I jumped at the chance.  Let’s start with our newest release, The Roots of Marvis Jedd by Ken Dixon.

The book’s blurb:

“Returning apprehensively to his home town of Thune, writer Clay Reston endeavors to document the early years of enigmatic musician and fellow Thune native, Marvis Jedd. At every turn, he is reminded of the many reasons they both left as soon as they could.

The Roots of Marvis Jedd is a satirical, somewhat absurdist portrayal of small town life in the United States. Baring similarities to the work of existential philosopher Albert Camus, Clay Reston struggles to find a sense of meaning and purpose to his own existence and the people and events taking place around him, while writing a biography on his home town’s most famous son, Marvis Jedd.”

Do you love music? Mysteries? Stories of dysfunctional families and what passes for drama in small towns? The Roots of Marvis Jedd by Ken Dixon has all of this, and since I love all of these things, I love it. It turns the traditional literary pilgrimage story on its head, when Clay Reston somehow gets more and less than he bargained for at the same time.

My friends and I used to affectionately refer to a fun escape as a “turn-off-your-brain” story, and that’s what this is. But don’t mistake that for stupid or poorly written. The characters are engaging, although most of them would consider that an insult rather than a compliment. I relate strongly to Clay’s position as an outsider, wondering when or if he had ever belonged in the town, and trying to decide if he even wants to belong.

If you grew up in a small town like I did, you’ll recognize Thune.  The only thing everyone can agree on is Things need to be Done. But what things, and how?  Shrug.

If, like me and like Clay, you left and then came back, you live in Thune.  “No one ever comes back,” seemingly ignoring the many who do. I can hear the coffee row gossip at the diner in Thune now:  there’s Something Wrong with that boy. It’s said in hushed tones not quite hushed enough, because it isn’t just gossip, it’s public shaming with plausible deniability.  Because no one ever comes back really means no one leaves and gets away with it.

In addition, Ken Dixon perfectly captures the small-town waiting for something but pretending you’re not, caring deeply but pretending you don’t vibe, in a way that is slightly reminiscent of a combination of Waiting For Godot and Corner Gas, or like a town from a David Lynch or Terry Gilliam movie, for those of you not familiar with the prior examples.  Nothing ever happens, of course it doesn’t. Except for when it does.

Although he writes that he doesn’t live in Thune, I bet Ken Dixon did at some point.  He handles all of this with the dark humour of someone who has been there. This makes what could be a really depressing story into one which allows you to laugh at the absurdity of it all.

So if you’re looking for a good fun quick escape read, look no further, you’ve found one. If you are looking for some social commentary, you’ve found that too.

Rating:  5/5.

The Roots of Marvis Jedd

“Returning apprehensively to his home town of Thune, writer Clay Reston endeavors to document the early years of enigmatic musician, and fellow Thune native, Marvis Jedd. At every turn, he is reminded of the many reasons they both left as soon as they could.”

Forsaken Press is proud to present Ken Dixon’s satirical, absurdist comedy, The Roots of Marvis Jedd. Now available on Amazon, Smashwords, Kobo, Apple Books, Scribd, OverDrive, Tolino, Gardners, Baker and Taylor and Bibliotheca CloudLibrary.

Amazon: https://www.amazon.com/dp/B082FY5R69
Smashwords: https://www.smashwords.com/books/view/994304

The Roots of Marvis Jedd is a satirical, somewhat absurdist portrayal of small town life in the American mid-west. Baring similarities to the work of existential philosopher Albert Camus, journalist Clay Reston struggles to find a sense of meaning and purpose to his own existence and the people and events taking place around him.

When Clay Reston returns home to Thune, a place he despises, he finds the small town hasn’t changed at all in the fifteen years he’s been gone, the place and the people are exactly the same as he remembers it, much to his chagrin. But Clay hasn’t returned to Thune to reminiscence on the good old days, or reunite with old friends, he has returned, somewhat reluctantly, to write a biography chronicling the early years of the career of Thune’s most famous son, the mysterious musician, Marvis Jedd. Running into many colourful characters along the way, both familiar and unknown to him, Clay is reminded of what makes Thune such an enigmatic place.

“The town itself looked like a bunch of big tossed dice. Nothing was planned and if you didn’t grow up there you may as well give up trying to find what you were looking for. No one would help you because it was really none of their business. That attitude goes a long way toward explaining why Thune never really found its niche as a tourist mecca; “Who cares?” would never have made it as a slogan.”

“For a reason known only to him, old Arvil liked to plant himself right out in front of his property just to glare at whoever drove by. I think that’s pretty much all he did, except when LuAnne would get him to come inside and eat his lunch. With all that practice, he got that glare down to a science and it really was something to see. If you gave even the slightest thought to stopping in Thune, chances were good that you would keep right on going once Arvil got a bead on you. “